For Christmas I received a rather delightful book that I had wanted for a while the new book on Celia Birtwell. What I like about this book is that it is a real marriage between beautiful images of original garments, Celia’s prints and tales from the time. It gives you an insight into Celia’s life and also helps you to better understand her prints. It not only gives an insight into her heyday in the late 60s and 70s but brings you right up to the present. For any print aficionado I cant recommend it highly enough.
I have a bit of a book obsession. This is my book shelf in my uni house. Almost all of these books are about fashion history with a few books dotted in about some of my other random obsessions too (graffiti, mid century typography Dali and Gaudi feature heavily)
Reading the book
helped me to uncover something really interesting. This is the Celia prints on
Radley dresses debate. Something that I’d long known about was that Ossie was
fiercely protective over Celia’s designs and whilst designing for Radley Celia
rarely produced any designs for Radley which were not on Ossie dress designs.
Why therefore does the odd definite Celia print occur on Radley dresses without
the magic Ossie name too?
Well, the book sheds some light on this Ossie stopped working with Radley in 1973 but Celia continued to work with Radley (producing 2 fabric collections a year) until 1976. It would appear therefore that those unmistakable Celia designs that are sometimes seen on Radley dresses without the accompanying Ossie name date between 73-76. Helping me to date my own lovely Celia Birtwell print dress.
The book helped me
further with this dress too. Whilst I’m still not 100% sure of the exact print
it is definitely one of her bouquet prints which were some of her most popular
designs.
I love a good bit of
fashion investigation, and I highly recommend purchasing this book too!

O,she's amaaaazing! Another book for my list of must reads!X
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